Short lines, few words

A friend has been sending me the occasional haiku she’s written; she says that the haiku form has kept her busy and creative during a time when her attention feels divided. I am reminded that, in the past, composing haiku has been a useful practice for me, as well–a method of retaining images and moments that might later prove useful in other types of poems..

My colleagues Dave Bonta, Michael Czarnecki, and Marilyn Hazelton, among others, find in haiku and tanka a wide range of possibilities for expression–and compression. Though I suppose that is true for any poetic form or strategy.

I just want to get writing again.

~

This morning I made some attempts at writing again. Writing poetry, I mean–different from my other acts of writing. Writing against frustration, grief, and absence and pain…obstacles, for me, to composition.

If I were a fiercer poet, a fiercer person, I might manage to write in media res, the midst of the goings-on; I might accomplish poems through my anger or sorrow. Instead, I have to wait it out, mull, observe, speculate. It’s just my natural modus operandi.

Maybe I’m lazy, or afraid.

~

No luck with haiku. I wrote a couple of mediocre tanka that might be salvageable once I work on them a bit.

I wrote this–no form, just words. Putting it out there for now, with an illustration. Not exactly haiga, not nearly luminous or complete.

Hey, Muse. This is all I got.

~

Introvert
 
Long-necked gourd
tangled in
its own vine
twists and curls.
There is something
fantastic in its nature,
imprinted in seed,
patterned and tendriled--
an urge to
turn
and flourish
hidden though it is
beneath broad leaves.
 




zucchino rampicante


			

Tanka

The second day of my daily poem challenge won’t give me much time to compose. A tanka poem may be in order.

These 5-line poems pose considerable constraints on the writer and, in my experience trying to write them, require frequent revision to get the moment vivid enough. So this one will be a rough draft. An experienced tanka poet may be able to compose tanka rapidly; my attempts usually need eight or ten revisions…well, here goes.

~
Past midnight, silence
4 am, flying squirrels chirp–
maple buds redden at dawn

how sleep eludes
those who mourn

~

 

Other poets working on daily-writing include Michael Czarnecki of FootHills Publishing, who posts a daily poem (usually haiku) on his Facebook page here.

paintdaub copy

 

Subtle spring

Today, inspired by an apparent and, I hope, lasting thaw, I ventured out into my yard to hunt for any signs of spring. Most years, the first week of March is when we mow the meadow, cut back the buddleia, and prepare the vegetable patch for sowing peas and spinach. The snowdrops are in bloom, as well as the early crocuses, and the trees are budding.

Not so this year. I don’t think our tractor can handle mowing this just yet:

IMG_0551

~

If I look closely, though, the signs are here. For example, the budding catkins on the silver birch:

birch1

                        …and the pool of green beside the river birch:

IMG_0543

A little purpling along the thorny blackberry canes indicates some liveliness has begun.

IMG_0550

At the foot of the downspout–water! Instead of ice!

IMG_0547

~~

Then, the faint fuzz at the branch-tips of the staghorn sumac, a little hard to see,
but easy to sense if you touch them.

IMG_0553
Unsightly, but still a sign of spring: litter by the road as the piles of dirty snow melt off. This brush of some kind has been twisted into an “M” by forces like plows and ice.

trash

But the most cheering photograph, for me, is this one–taken by poet and publisher Michael Czarnecki, whose photos are available here. The photo below is of the first tapping of maple sap from his trees in New York state.

photo Michael Czarnecki, http://foothillspublishing.com

photo Michael Czarnecki,
http://foothillspublishing.com

Flame and ash

I have often imagined what it feels like to lose everything in a fire. Particularly if you are a writer or painter, and you work with easily consumable tools–paper, for example. Maxine Hong Kingston has been articulate and interesting on this situation; perhaps it was her well-reported experience that first got me thinking about how terribly affecting such a loss would be. In 1999, a friend of ours whose business is woodworking lost his shop, tools, work, and wood in a workshop fire. The shock was the worst part–like Hong Kingston, our friends had been away from home and returned to find cinders where their livelihood had been.

Last week, Michael Czarnecki, publisher and sole proprietor of FootHills Publishing, was vacationing in Maine when he learned his house and business had burned to the ground. I have heard that phrase before–but it was literally the case: to the ground. With the loss of clothing, memorabilia, musical instruments, furniture, etc. came the loss of livelihood and the loss of FootHills’ archive of 20+ years of small-press publishing. Many, many books went up in flames, a life’s work.

Paul Martin's chapbook

Paul Martin’s lovely chapbook Morning on Canal Street, FootHills Publishing.

Michael has been documenting the remains and posting images on his Facebook Page. Pictured here, what’s left of a copy of Paul Martin’s chapbook, one of the few that were still recognizable after the tragedy. Paul is a colleague of mine, and this photo makes me sad.

I am sure Michael has not yet done a full accounting of his destroyed inventory. The two books of mine he published are certainly among the casualties, and I feel a selfish pang over that. If he gets the press up and running again–and he plans to (he is an optimist and a hard worker)–he’ll probably try to reprint at least some of the 300 or so books FootHills has produced over the years. The more recent books will be easier to reprint, as he had his computer with him and it was not lost in the fire…pdf files of some of the books are intact. But the “history” of the press…its archival, early chapbooks, may be gone for good.

Once again, I reflect on ephemera. One of the most moving photos Michael took is one of his sons’ birth certificates, charred, the edges the same color as the tiny footprints that are still visible. We are so vulnerable.

And we endure, too. Our art helps us to manage these difficult passages. Love helps us navigate the ashes.

If you are interested in and financially able to help FootHills Publishing recover and rise, phoenix-like, from the ashes, you can go to the FootHills website and donate through PayPal or send a check to

FootHills Publishing
PO Box 68
Kanona, NY 14856

Thanks very much. As Michael Czarnecki says, “Never stop asking for poems.”