I was looking in my archive files for something I didn’t locate, and I happened upon this.

In 1981, I was a typographer; actually, I was a typographical proofreader who often stepped in when we needed another typographer (or, in a real pinch, typesetter) during rush times. This is one of the many style guide pamphlets the type designer-producers gave out to sell their fonts and as demos for set style and sizing.

When I was working in that field, I loved experimenting with the way words looked in different fonts. Sometimes I’d typeset my poems, or other people’s poems, to get a sense of how they would read on a “real” page (rather than as typewritten text; this predates word-processing and desktop publishing software). Those experiments led me and David Dunn to establish–briefly–LiMbo bar&grill books as an independent arts small press in 1982. I designed and typeset the books with help from my coworkers at various typography companies, and David did the editing.

I still love print text for the feel and look of how different printing and design choices affect the holistic environment of the page. Paper texture. Type size and choice. Gutter width. Titling. Binding, covers, front matter.

At present, I’m not yet a significant consumer of ebooks, so I can’t say whether similar design choices affect the reading experience. Surely there are differences, subtle and obvious. For the experience of reading poetry, from what I’ve seen on ebooks, I prefer print when reading poems. Technology may eventually change my point of view–I’m aware of that and open to it.

Here’s a poem from Red Queen Hypothesis (due out in 2021), designed appropriately as a bookmark by designer Ric Hanisch.






New look!

I am rolling out a new professional website! At some point, this blog will probably “move” to the new site; for the time being, though, I’m continuing to occupy two zones of the internet’s vast web. However, please consider clicking on the link below to take a look at the redesign.

One reason I am so excited about this new site is that I worked closely with the young digital-graphics designer to try to compose a site that reflects a little better my public-professional-poet persona. I wanted easy navigation, an uncluttered look, informational text, and links to my books’ publishers. I also wanted the page to convey my interest in the environment and to focus a bit more on my books’ themes and styles. The site is still a bit under construction, but it is “live.”

Did I mention that the designer is my son? He graduates January 19th with a degree in computer science/digital graphics. He is initiating his way into the professional world, following his sister, who has been on her own and working since May of last year. I graduated from college during an economic recession in the 1970s, and I can empathize with the frustration my college students and my grown children are experiencing as they start to make their adult ways into the world of work. But I know they will find their paths at some point (heavens, my own path took long enough!)

Here it is. Please take a look: www.annemichael.com