Nesting

Nesting. I’ve just finished reading Sarah Robinson’s thoughtful, gentle book by that title, which has offered me interior space at a time I need it. Deborah Barlow does a lovely review here.

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Outside my window every morning…conference of the birds.

The Conference of the Birds (or The Speech of Birds, or The Bird Parliament) is a Persian (Sufi) poem by Attar of Nishapur, an allegory of sorts in which the hoopoe instructs the other birds on how to find their king, which they can do by following the path of the right way to live. Here is an excerpt from the 1888 FitzGerald translation:

Behold the Grace of Allah comes and goes
As to Itself is good: and no one knows
Which way it turns: in that mysterious Court
Not he most finds who furthest travels for’t.
For one may crawl upon his knees Life-long,
And yet may never reach, or all go wrong:
Another just arriving at the Place
He toil’d for, and—the Door shut in his Face:
Whereas Another, scarcely gone a Stride,
And suddenly—Behold he is Inside!—

There are more adept, contemporary translations such as those by Dick Davis, Sholeh Wolpe, or others. This one’s copyright free and thus available here.

conf-birdsThe poem inspired the title composition of one of my favorite jazz albums of all time, this one by The Dave Holland Quartet, recorded in 1972. A college friend who loved Anthony Braxton’s music introduced me to this record, and it was one of the things I had in common with my dear David Dunn–early in our friendship, we learned that we loved some of the same poets and some of the same music.
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Nesting season. The earliest fledglings have begun to leave their temporary homes. Some birds seem to return to their house sites–or perhaps their offspring do so. There are ledges here that shelter robins’ nests every year; there are certain trees the orioles seem to favor over and over again.

My children “fledged” some time ago. One’s returning to the house soon, but only for a visit. All homes, no matter how long loved and lived in, are only temporary shelters.

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Linkage

Thanks to a student who pointed out how many of the links to the right (on this blog page) were inoperable, I have finally updated them. Well, most of them; I have limited time for tweaking around on my WordPress settings page.

Links appeal to me because they mean connection. The interconnectedness of the web parallels the many relationships among human beings, societies, and environmental entities from forest to desert, as well as infrastructural connections from town to city and across waters and the physiological connections that make life in a carbon-based embodiment possible. And neuro-connections that maintain our pulses and our consciousness–without such linkages, what would we be?

linkage-5 University of Utah

see link in para. 3

Our genetic linkage influences what we look like, what forms of illness or robustness our bodies possess, and the likelihood of carrying those traits to our offspring.

When we link ideas or concepts or theories, the resulting concatenation can be innovative, revelatory, novel–even if the result is a failure, there’s much to learn from trying to solve the puzzles we encounter when putting together unlike things.

Writing a poem, for example, involves such a combinatory effort. Combinatory logic is a mathematical concept but an intriguing metaphor for what poets do when we mash together observations with ideas and emotions and whatever values each writer operates under.

Linkage permits us to steer things, too, and to integrate systems elegantly:

baesystems-parallelhybridrives_OEMoff highway

[thanks to OEM Off-Highway]

So, please check out the links to my work and to the interesting sites on the right of the page on this post. And likewise, links below (yes, I am still taking part in reading blogs on the Blog Tour!)

On capital letters in poems and making craft choices in poetry, an interesting blog post by Marly Youmans.

And Leslie Wheeler on whether a poem can be a monument.

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May you remain always connected, one way or another.

Whelmed

The other day, I mentioned to a friend that I anticipate a busy May, what with sundry beloveds graduating and having birthdays, and visitors from far places, and the end of the academic year at my place of employ, and prime planting-out-the-vegetable-garden season upon me…

She said perhaps I am overwhelmed.

All of the above events are wonderful things. And I have considerable help in accomplishing them, so there are no great burdens on my shoulders. Overwhelmed sounds, well, overstated. That got me thinking about the words overwhelmed and its opposite, underwhelmed–is there a “whelmed,” just on its own?

Turns out there is (archaic, notes Merriam-Webster):

WHELM transitive verb
1. to turn (something, such as a dish or vessel) upside down usually to cover something; cover or engulf completely with usually disastrous effect
2. to overcome in thought or feeling
intransitive verb to pass or go over something so as to bury or submerge it

And its source is Middle English (thank you, Online Etymology Dictionary):

early 14c., Middle English whelmen “to turn upside down”… Figurative sense of overwhelm as “to bring to ruin” is attested from 1520s.

Maybe I am whelmed, then, as per definition 2 above; the feeling I have doesn’t jive with the connotation of “to bring ruin.”

At any rate, I herewith offer some diversions by writers of other blogs and sites instead of my own work–with the exception of the first link on “Say It Today.” Read and explore and allow what’s delightful to wash over you without disastrous effect.  🙂

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From Haverfordwest Library, accessed through Casgliad y Werin Cymru

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Brothers & Storytellers, a brief essay of gratitude at Say It Today

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Lesley Wheeler’s delightful, on-the-spur-of-the-moment, Day 29 of National Poetry Month poem should amuse those who write poetry and those who meditate and…well, just fun.

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Donna Vorreyer on writing “a whole lotta poems.

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Kelli Russell Agodon on writing a poem a day (and forgetting about quality).

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Finally, Theodora Goss on love, home, and work–priorities that feel pretty “right” to me.

Friendships

April: a busy time. During my busy times at work or on the home front, I often spend less time with my friends.

The best thing about that is: my friends understand. They will still be there when I crawl out from under whatever has me crushed for time, whether it’s illness, job stress, time-consuming family-related challenges, home maintenance, garden or lawn work, travel, or depression.

[insert here, me, waving to my friends!]

Social media is no substitute, although I confess to using it to keep connections with those I care about. Social media, for example, has been significant in helping me to stay in touch with poetry colleagues; but much as I admire and learn from other writers, they play different roles in my life than friends do. Also, even from the beginning of my Facebook use, I knew the platform essentially was a “me and those like me” social bubble.

The specter of “us vs. them” has raised its snarling head on social media sites ever since the early days of chat rooms. There’s a reason for that, and Natalie Angier of The New York Times reports on some recent findings in this article:

 

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Meanwhile, on the “unalloyed good” side of friendship–The real friend listens, gets busy herself, drops a line now and then if I’ve been absent for awhile, and drops everything if I find myself in difficulties and ask for help.

She or he also shares my brainwaves, apparently–and not just metaphorically! The studies Angier writes about in the article below offer some really intriguing possibilities about human beings as social animals and how our brains work. PubMed.gov lists a large number of research articles that examine the topic of health, neuroscience, and sociability; the interconnectedness strikes me as relevant and fascinating.

 

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Boy, do I love neuroscience! This work synthesizes physical actuality with metaphorical possibilities in ways that inspire me.

Probably, there will be poems. Meanwhile, if you want to watch some brain functions in action, some cool animations: http://www.neuroplastix.com/styled-99/therapeuticanimations.html

 

Imaginative, not imaginary

I have been thinking about the place that a poem makes in the world, the place that a poem is in the world. My recent reading on C.S. Lewis’ Narnia series (see the tail end of this previous post) has led me back to a few of his essays. He felt that good stories–whether fantasy, mythology, allegory, science fiction, or epic narrative–take the reader to threshold spaces that are imaginative, not imaginary.

I think that poetry offers what Plato calls psychagogia— “an enlargement of the soul” in C.S. Lewis’ definition, or see John Joseph Jasso’s dissertation chronicling it as “the idea that rhetoric can lead souls to their own betterment; that is, guide them in an ascent along a metaphysical hierarchy through beauty, goodness, and truth to a fuller participation in being.” Poetry provides such enlargement by permitting the reader to imaginatively undergo transformation via images and places the poem offers, to experience the turn in the poem’s rhetoric, to feel ‘along with’ the poem’s nature. The poem is a threshold at which the reader stands and makes the choice of whether or not to enter.

Granted, that seems a rather allegorical way to think of poetry, but not, I think, an unwarranted perspective.

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Lewis, by training a medievalist, believed that we need to read “the canon” or, essentially, any and all great literature of the past, in order to have “something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely temporary fashion.” (This is from his 1939 sermon “Learning in War-Time.”) I love reading modern and contemporary literature; but I agree with him that through reading the work of the past, we cross a threshold into a new (to us) perspective. I do not know what the past knows; I have to explore, read carefully, infer, and take nothing for granted. I must take the role of observer before donning the garb of critic. For me, it’s as important to approach literature with beginner’s mind as it is to approach the garden with beginner’s mind. Perhaps this is one reason I have always enjoyed reading history: The past is a place I do not know well and therefore have to find a way to enter into anew.

Lewis continues by noting that the person who reads literature of the past “has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age.” Given the times in which we live and the nonsense pouring from the microphones of our age (which are legion), it takes a good deal of sorting to find the beautiful and the good–which do exist–amid the resounding chaos. I do not recommend a full retreat into reading Beowulf, the Illiad, or Tolstoy, but tempering my intake of current media with poems and stories reminds me that I ought to question my basic assumptions and the basic assumptions and perspectives of others, including people who lived long ago in eras and cultures about which I know very little.

A good read inclines me toward the imaginative. Whatever arts it may take to get me there, past the imaginary and into imagination, whatever aesthetic form it takes, I am grateful.

baynesNarniaPauline Baynes’ illustration: Narnia’s lamppost in snow.

 

 

 

 

 

 

 

Bounds against chaos

It is easy, even comfortable, to think of the past as a linear narrative; but that is not actually how brains record and archive our experiences.

Marilyn McCabe notes: “So much of the past is only what we think we know based on what we remember, or think we remember. The past is a fun-house maze of stretchy mirrors and blind corners.”

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The brain and consciousness intertwine through so much complex, possibly fractal, and certainly inter-relational connections that chaos looms as an option all the time; human experience is an edge phenomenon. I have long considered the meadow and forest, the clearing or glade, the hedgerow, the riverbank, ditch, or roadside berm as metaphor for what keeps us curious–interested in life and its inter-relationships, its connectedness and its chaos.

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By complete coincidence, a biologist/blogger posts a poem by Robert Duncan; an excerpt here:

Often I am permitted to return to a meadow
as if it were a given property of the mind
that certain bounds hold against chaos,
that is a place of first permission,
everlasting omen of what is.
Robert Duncan

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Yes. Often I am, myself, permitted to return to a meadow. Pretty much daily, when I’m home. And what I learn there! What the edges and the chaos (and the patterns, and the simplicity) reveal to me!

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As an aside: Dave Bonta writes poetry blog roundups here: https://www.vianegativa.us/2018/04/poet-bloggers-revival-digest-week-14/ Each of the links he posts is worthy of a read.

Dave has even posted his wedding to Rachel Rawlins–video, context, porcupine, open-sourced wedding vows, poems, & all: https://www.vianegativa.us/2018/04/mountain-wedding/

When it’s done well, lived well, marriage can be one of the bounds that hold against chaos, “a place of first permission”–even for anarchists.

Namaste! And keep reading poetry.

Poetry books & the $

April has been designated National Poetry Month by the Academy of American Poets–the campaign was launched in 1996–and because I write poetry and love the art, and read poetry and know poets personally as well as through books, I try to keep the awareness of the month-long love-feast for the crafted word going in whatever small way I can. Hence, if a reader should happen to type the words “National Poetry Month” in the searchbar on this page, said reader would find tagged posts on the subject going back about eight years.

Some years I have endeavored to draft a poem a day for 30 days, some years I have been active giving and performing readings, some years in teaching; it varies on circumstance and energy. This year, I am celebrating by reading more than by writing.

When I buy poetry books, I try to purchase them–if possible–from the author or from the author’s original publisher rather than more cheaply (Amazon, used books, etc.) The author gets no royalties from books bought second-hand, and because few poets are rolling in cash from book sales–and while gaining an audience may be of value–even a small royalty check is a welcome thing, a confirmation of the work in the world.

Best-selling poetry is not necessarily the “best” poetry. Those of us who love the art can contribute in small ways by using the almighty dollar to support the writers we think need to be read.

Here are some poetry books I have bought, or borrowed from my library, in the past two weeks or so. I don’t usually go this crazy with poetry-bingeing; but as I’m not doing much else for Poetry Month this year, I figured I would contribute by doing what I love best: reading books!

Lesley Wheeler, Propagation; Louise Gluck, A Village Life; Grant Clauser, The Magician’s Handbook; Jan Clausen, Veiled Spill: A Sequence; Luisa A. Igloria, The Buddha Wonders If She Is Having a Mid-life Crisis; Aaron Baker, Posthumous Noon; Ian Haight, Celadon; Erica Dawson, The Small Blades Hurt; Brian Turner, Here, Bullet; Margaret Gibson, The Broken Cup. There will be others!

And two notable non-poetry books I loved, Elena Georgiou’s The Immigrant’s Refrigerator, short stories; and Laura Miller’s The Magician’s Book: A Skeptic’s Adventures in Narnia (a subject close to my own heart–her approach to the book and her history with it ring close to my own experiences).

There will be others, if I have any spare time. I am also planning to read a book by philosopher Andy Clark and a biography of C. S. Lewis and to proofread my brother’s latest paper on Samuel George Morton. If only the weather were warm enough that I could read in the hammock!

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image from www.meditationrelaxationclub.com